The Stained Glass Coffeehouse is hosted at the Congregational Church in Deerfield, located on Wilmot Road in Deerfield, just east of I-94 between Lake-Cook Road and Deerfield Road. The address is:

Congregational Church in Deerfield
225 Wilmot Road
Deerfield, Illinois 60015

The Church's location can be found on Yahoo! Maps here. It is located across the street from Walgreen's Corporate Headquarters.

 

 

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Dyed In The Wool, May 2009

 Among the very best bands in Chicago is Dyed In The Wool, a gathering of grand musical talents and sweet sensibilities that can handle traditional tunes in ways that make them fresh and vibrant and create original tunes that will stay with you forever." (Rick Kogan, WGN Radio, Chicago Tribune)

John Devens, a product of the Chicago folk scene, boasts of guitar styles from the Travis pick to jazz swing.  Julia Dusek-Devens has a solid classical background and an excellent command of the flute that are behind her whimsical performance attitude. If you haven’t heard Jim White play guitar, you’re in for a treat.  And Meghan McKown brings her own fresh approach to everything she sings.  Her tone ranges from rich to soulful to clear and pristine. 

"As the regular reader knows, Dyed in the Wool is our favorite Chicago Band. Period. Great stuff. (Rating: Four Harps)" (Bill Margeson, Irish American News)

http://www.dyedinthewool.net/

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Kim and Reggie Harris, April 2009

Kim and Reggie Harris are two vibrant, superbly talented and engaging performers whose captivating stage presence has inspired audiences around the world for over 25 years. As singers, songwriters, storytellers, educators, historical interpreters and cultural advocates, they have used their remarkable voices and their unique talents to bring new insights to the entertainment and educational spectrum. 


Kim and Reggie perform original contemporary folk music and traditional African-American Spiritual and Freedom Songs.  In concert Kim and Reggie know how to reach out and grab an audience by the heart as they sing of life, love, the quest for freedom and care for the environment, with musical versatility and beautiful vocal harmonies. Whether at a festival, in a coffeehouse, a large concert or even an intimate concert setting, their In Concert performances are a special musical treat.

http://www.kimandreggie.com/

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Danny Schmidt, February 2009

Austin, TX-based singer/songwriter, Danny Schmidt is the real deal, an authentic timeless troubadour in the tradition of Townes Van Zandt, Bob Dylan, Leonard Cohen, and Dave Carter, who delivers his craft with a quiet power, a level of complexity, and an underlying humanity that is truly rare...

It's his songwriting that has won him the prestigious Kerrville New Folk award, but it's his intense live performances that leave listeners with a sense that each of his songs is necessary, plain and simple. His guitar work is effortless and sparkling, his arrangements are fresh and unpredictable, his voice ageless. He tackles universal themes of love, loss, and longing . . . restless discontent and grateful joy. And he captures both the sorrow and the beauty inherent in our everyday lives with the wisdom of a perceptive, compassionate elder and with the innocent awe and tenderness of a child. 

In the words of Sing Out Magazine: "He is perhaps the best new songwriter we've heard in the last 15 years." And in the words of Texas Monthly: "With seductive simplicity, his music simply demands your attention." This is one show not to be missed!

http://www.dannyschmidt.com/

 

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Lee Murdock, January 2009

Lee Murdock, folk singer and songwriter, brings with him the nautical atmosphere of the Great Lakes region. He has researched and collected old shanties, written some of his own and added his own interpretation of the works of Gordon Lightfoot and Warren Nelson…  and you will definitely appreciate the influences of Stan Rogers and Bill Staines on Mr. Murdock's material.

The music is grounded in the work song tradition, from the rugged days of lumberjacks and wooden sailing schooners.  Lee's fans have discovered a sweetwater treasure in his songs about the Great Lakes, finding drama and inspiration in the lives of sailors and fishermen, lighthouse keepers, ghosts, shipwrecks, outlaws and everyday heroes.

With a deeper understanding of the folk process, Lee's repertoire combines historical research and contemporary insights. Making folk music for the modern era, Lee Murdock's work is a documentary and also an anthem to the people who live, work, learn and play along the shores of the Great Lakes today.  "More than anything else, audiences are drawn to performers with passion. Lee Murdock's passion is the sea, and it's infectious." (Jim Blum, WKSU Radio, Kent, Ohio)   

http://www.leemurdock.com/

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Johnsmith, December 2008

"When I first heard Johnsmith my attention was captured by his sweet, earthy voice and fine craftsmanship, but what drew me in was his heart. It's clear that he's lived the pain in his songs and that his optimism is hope born of wisdom. That's a rare thing and a gift to all who hear him." (Tom Kimmel) 

John was born into a rural eastern Iowa, large Irish Catholic family of ten kids. Pursuing a life of music has led him far from his small town roots. He has walked down the roads that made him whole, and when he brings that onstage, he connects with folks.

Someone’s voice is not just an instrument; it’s more like the sound of their soul. It’s a connection thing that moves us. As a solo performer, Johnsmith opens up and bares his genuine self on stage. Night after night, CD after CD, he brings it all on full heart. Fellow songwriter Buddy Mondlock best sums it up: " I feel like every time one of Johnsmith’s songs gets heard a little healing happens to the world."

http://www.johnsmithmusic.com/

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Mike Quick, October 2008

“Mike Quick has always been an adventure waiting to happen…” (Michael Jerling) 

Wisconsin native Michael Quick has been writing and performing music for nearly thirty years in a variety of styles and venues.  Mike has performed in table-thumping rock and roll bands as well as acoustically. Quick credits his diverse musical content to "his roots"… that is, his parents' superb vinyl record collection including such albums as "Lester Lanin Does The Big Band Polka", "Mitch Miller Performs The Hottest Numbers of 1961", and "The Best of Burl Ives".

As music critic Ann Barsness of the Eau Claire Leader-Telegram put it: "Mike Quick's first solo album, Down Bullfrog Road, is like a patchwork quilt, his gravelly voice the thread that binds together a pleasing array of colorful lyrics and richly textured instrumentation." Whatever blows your hair back, Mike has something to offer for everyone!

http:// www.mikequick.net

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Jan Krist and Kitty Donohoe, September 2008

 

 

 

 

 

 


Detroit born Jan Krist is a well-established veteran of the acoustic music scene; with 13 nominations and 4 Detroit Metro Music Awards under her belt, she has proven herself to be a Detroit area favorite. “Her talent as a songwriter equals - if not surpasses her vocal gifts. She has an uncanny way of cutting to the heart of a topic and providing the listener with food for thought.” (Image Journal)  “evocative... somewhere between Joni Mitchell and Kate Bush, but it’s all Jan Krist. Unreservedly recommended.” (Billboard Magazine)

Kitty Donohoe is also Michigan-based singer songwriter. Her first album Sing Out was “a beautiful blend of the new and the traditional, rooted in the Irish music she absorbed living in the Corktown district of Detroit. Kitty manages to stretch the listener by the sureness of her music.  This is intelligent, literate songwriting infused with an inherent optimism.” (Tweeddale Press, Ltd – England)  In addition Kitty has an amazing range with a flexibility that few other singers have…  “rich, flexible, soaring, haunting... one of those rare voices that I could listen to for hours.” (Victory Music Review)


http://www.jankrist.net
http://kitdonohoemi.tripod.com

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Magpie, September 2006 & May 2008

 http://www.magpiemusic.com/ 


“Terry's voice is a truly impressive instrument, not only because of its natural power, but also because of her versatility…  Greg is an outstanding guitarist whose finger style approach owes a lot to his heroes, guitar legends such as Reverend Gary Davis, Big Bill Broonzy, Nick Lucas, Phil Ochs, and Rolly Brown... From the beginning Terry and Greg's interests in various musical styles have led them to be eclectic in their repertoire. Rather than confine themselves to a single style, Magpie has always embraced a musical rainbow, and with impressive proficiency in each different genre.”

"...simply, absolutely, unequivocally wonderful...they'll thrill you to boots, melt your heart...The controlled beauty of Terry's singing is what hits you first, but she also plays a mean harp and Greg's relaxed accompaniment compliments her perfectly. And when they yodel in harmony... well, you can wave ta-ta to your heart.” - Colin Irwin, Melody Maker  (London, England).
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John William Davis, April 2008

 http://www.losttribedreams.com

"One-of-a-kind homey tales that fall somewhere between dreamscape episodes and a soundtrack of southern lore. . . The stunning solos and erudite lines are seemingly infinite " (Dan Willging, Dirty Linen Magazine)  "In the tradition of the best southern literature, his melodies are as rich and instantly familiar as those of southern songwriters like Stephen Foster or Randy Newman.  And all this is to say nothing of his lush, eclectic arrangements... a musical tour de force which heralds the arrival of a major new voice in the world of music..." (Willis Alan Ramsey) To my mind this is not a Stained Glass Coffeehouse moment to miss… You will leave the concert amazed at what you have just heard and experienced. We have not had much opportunity to hear John William Davis in the Midwest and I say, it’s high time!  You will love every minute of the show and want to hear more.  (Blair Hull, SGCH)

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McNamara and Neeley, March 2008

 http://www.chrismcnamara.org

These “energized urban songsters have found a way to combine two different musical styles to form yet another. Together, they are dedicated to presenting some of their original music as well as preserving and presenting interestingly written, rarely heard folk music. Lush harmonies, great acoustic guitar... a most entertaining and energetic performance... a dynamic duo with a polished presence."

“Imagine my astonishment and joy at hearing these two sing together. I felt chills up and down my spine. I told them later that they were the perfect example of ‘one and one equaling three.’  s much as I have enjoyed them separately, the two of them together is much more.  They embody the "Holy Trinity" of performing, "enthusiasm, vitality, and joy." …Tony Spaeth, contributing columnist for Folk Wax E-zine

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Diana Jones, February 2008

http://www.dianajonesmusic.com

Diana Jones

"It goes without saying, Diana Jones is a consummate singer and writer, who totally charms audiences.   What sets her apart - and this is the highest praise in a crowded music profession - is her originality.  Her music doesn't sound like anyone else's."-- Richard Thompson

To read a current Pioneer Press interview, see: http://www.pioneerlocal.com/evanston/entertainment/789404,dn-dianajones-021408-sl.article

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Andrew Calhoun, November 2006 & January 2008

http://www.andrewcalhoun.com 


“Andrew Calhoun writes with a paradoxical combination of incandescent intellect and unstudied magic.  With deep respect for both tradition and innovation, he is both a lightning rod for "the unconscious rightness of intuitive connection" and a perpetual student of song craft.  In the thirty-odd years that he has been a songwriter and performer he has created an impressive collection of songs…  On stage he is disarmingly unpretentious, spontaneous, insightful and darkly witty, as he weaves a tapestry that includes not only his original songs, but Scottish ballads that he has translated from dialect, and poems and songs by such exceptional writers as Dave Carter, Mary Oliver and Robert Frost.”

“A wonderful songwriter and funny, warm performer.” (The Daily Iowan)

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Bittersweet Christmas Band, December 2007

The holidays are a mixed bag and so is the Bittersweet Christmas Band!
 
From Thanksgiving through December 25th, traditional artists Cooper, Nelson & Early join forces with songwriter and "wise" woman Susan Urban for a show that presents every possible perspective on the holiday season from the reverent to the ridiculous.
 
Two to four-part harmonies and masterful instrumentation on guitar, hand drum and other percussion instruments, dulcimer and pennywhistle make the Bittersweet Christmas Band an act not to be missed!

For more information see:  http://uuwisewoman.tripod.com/bittersweetband/

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Garnet Rogers, November 2007

  http://www.garnetrogers.com

"Hailed by the Boston Globe as a 'charismatic performer and singer...'  With his "smooth, dark baritone" (Washington Post) ... his music, like the man himself, is literate, passionate, highly sensitive, and deeply purposeful."


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Anais Mitchell - October 2007

 

“ ’And the big horns blowed and the pianos played/And the music rose to the old man’s ears/I guess those were the olden days/I guess those were the golden years.’

“Listening to this 25-year-old singer/songwriter perform her meticulously written songs, fervently singing them in a distinctive, almost childlike voice, you’d think it was her life mission to rouse the hearts and minds of her listeners with an acoustic guitar. But Mitchell wasn’t always committed to the idea. ‘I used to tell people I wanted to be a journalist. There is a lonely egotism and self-composure to journalists… worshipping the truth and trying to render it legible.’

“Despite her journalistic leanings, Mitchell started writing songs at age of seventeen and eventually started performing them… In a short period of time, Anaïs made several trips to the Middle East, and also spent time in Europe and Latin America, studying languages and world politics. This stunning, troubadour-like experience seeped into her music, and she became adept at fusing her passion for literature and journalism in her lyrics.

“With a clutch of quiet, ambitious songs in her arsenal, Mitchell recorded her now out-of-print debut, The Song They Sang When Rome Fell (2002)…” After that came Hymns For The Exiled (2004), and The Brightness (2007). “And by no means is Anaïs Mitchell sitting on her laurels. She’s staging a folk-opera based on the myth of Hades and Eurydice, and will be embarking on a winter tour to do what she does best: pluck chords and tell stories.”

For more information check out her web site:  http://www.anaismitchell.com

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Sons of the Never Wrong, September 2007 & March 2009

 

The house was packed on September 15 to hear a kind of twin peaks version of Peter, Paul, and Mary; the songs were wacky, "original and up-lifting, combining exquisite vocal harmonies which spill and spiral all over the place, glorious melodies, and...er...unique perspectives."  The evening was a wonderful experience for all.

A kind of twin peaks version of Peter, Paul and Mary; the songs are wacky, original and up-lifting, combining exquisite vocal harmonies which spill and spiral all over the place, glorious melodies, and ...er...unique perspectives.

One of the best concerts of Season II, Sons of the Never Wrong is coming this March to delight the audience again. The Sons is as good as it gets when it comes to a different view of three part harmony on top of original, whimsical songs that spring from a tradition you swear you have heard before but just don’t know where and when.  The Sons is a trio made up of Sue Demel, Deborah Lader and Bruce Roper.  Three somewhat mixed up adults of perfect parents of a bygone era, just crazy enough to think life in the fast lane comes with a banjo.

Bruce brings the subtle, like a hammer honed by a well-seasoned carpenter, to build a song that shelters.  His reputation in the folk industry is that of a crafted, prolific writer.  His songs feel like they were written by a wise old poet, yet sung by a child.  With a gift for painting the melancholy, sometimes with a wink and a nod, he makes things that are hard to say easy to hear.

Whether it’s scatting, chanting, weaving, or arranging, Sue explodes the pre-conceived notions of harmony singing.  Sue is a seasoned back-up vocalist and her body of work as a songwriter achieves a rare peace between the boundaries of love and redemption.

Deborah’s diverse influences converge and are expressed through her unique and multifaceted music.  A nationally recognized visual artist, she is also a skilled multi-instrumentalist (guitar, mandolin, slide banjo) with a special fit for songwriting and a sought-after affinity for vocal harmony.

Come hear "One of folk music's most distinctive trios"... (Grand River Folk Society.)

 



For more information on the Sons, see: www.sons.com


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